Archive for: Tools and Tricks

If I had a nickle for every time I have been asked this question…

After discussing it with a friend of mine, I made this point: “an Editor is like special effects in a movie; if you’re doing your job right, no one should be noticing”. After thinking more about it today, I have also realized that being an editor can also be akin to being a CEO. It doesn’t matter who screws up, it’s ultimately your responsibilty for the success and the failure of the people you are responsible for.

An editor has plenty of roles to play in the production of the book. They are the cheerleader, motivating their team when at times is can seem difficult to complete the project. They are also the secretary, making sure that everyone is communicating properly and that everyone has what they need to complete their assignments.

Unfortunately they also have to be the drill sergeant, making sure that everyone is hitting their deadlines. This is probably my least favorite part of the job as it can put an editor in an awkward position. I enjoy the people I work with, and friendships are also built between us, but at the same time I am also there to represent the interests of the company, and, just because we are friends, I can’t overlook the fact that your work is not coming in on time or up to par. My neck/job is on the line, and it reflects poorly on me when you aren’t pulling your weight. Making comics is an assembly line production; a delay further up the line is going to cause domino effects further down the line. A small delay at the beginning can spiral into a week or two delay by the end, and a delay can mean reduced sales as readers get tired of waiting. Word also gets around about people who can’t cut it in a deadline oriented industry. You DO NOT want to end up on this list. Don’t promise what you can’t deliver, and deliver what you promised.

Another job I have had in the past as an editor is a talent scout/appraiser. I am always looking at peoples’ porfolios to see what they are doing and how they are improving. It can be quite interesting to see the progress they made.

I am looking forward to seeing more pitches, and I have enjoyed what I have read so far. There are some that require more work, but if you want it bad enough, you should be willing to put the time and effort in.

Cheers

j


23 Jan. 2008

Next step; the pitch.

Posted by josh under Tools and Tricks | 3 Comments »

The comic writer faces a difficult task. Like Dr. John, a good writer must switch between many hats, constantly changing between them. You start off in the gumshoe’s hat, researching the facts and details needed for your story. Next you throw on the bard’s hat, weaving your tale of adventure. Finally (and the one many writers have trouble with), you throw on the showman’s hat, calling one and all to “step right up, and take a glimpse into the amazing and wonderful”.

500 pages of freshly typed comic book script sit on your desktop; the literary vampire that has sucked away all your free time for ages. It’s polished to a diamond finish, and you’re ready to show the world. But how do you get it from your computer into the editor’s hands, and eventually onto the store shelves?

Enter: The Pitch.

There are a million questions when it comes to crafting a pitch, and just as many answers. I will try and answer as many questions as possible based upon what I looked for when I was in charge of reviewing pitches for a small independent publisher.

Here’s what I would include in a pitch:

- The hook
- A synopsis
- Future plans for the work
- Other

The Hook

This should be a single sentence that grabs the editor’s attention. Ideally it should also be the first sentence. Here are a few great examples:

“Gifted from birth with fantastic powers, the X-Men band together to defend a world that fears and hates them for their difference.”

“The world’s greatest hero disguises himself as a bumbling reporter in order to earn the affection of the only woman he’s ever loved.”

“Witnessing the murder of his parents, a young boy turned millionaire fights crime as a costumed vigilante.”

The Synopsis

This is where to tell us who the characters are, along with their motivations. Where does it take place? What is the central conflict? Give a brief yet total overview of the plot. If you are pitching a series, just pitch the first arc here. Ideally this should be kept to a paragraph.

Future Plans

If you are pitching a one-shot or self-contained story, you can skip this part. If you are pitching an ongoing or undefined group on miniseries, this is where you tell us where you plan to go with the story.

Other

This is where you can explain things like:

1) What format is it going to be?
2) Who is your intended audience?
3) Any clever marketing ideas for your comic?

This is not how everyone does theirs, but this is how I do mine. If possible, I would try to keep this all to one page. Too long and you’ll stay in the slush pile; too short and you will be skipped over.


14 Nov. 2007

Attention, Artists!

Posted by ryan under Tools and Tricks | No Comments »

With the ‘Pitch Doctor’ in a relatively manageable state, it is time to move forward to the Portfolio tool (name TBA). The Portfolio tool will allow our community to upload their art, sort it into multiple portfolios, and then showcase it to the community for review.

As the developers develop, I have started the research for the viewable state of the Portfolio tool. The Portfolio viewer needs to fulfill the following primary goals:

1. Pleasurable viewing experience;
2. Community can provide feedback to the artist; and
3. Potential employers have access to the necessary information in order to make a decision and contact an artist.

And, no, we do not have any defined release date :)

Cheers,
Ryan


9 Nov. 2007

Fanboy Unleashed

Posted by BlogGuy under Tools and Tricks | No Comments »

Hey what’s up?

This is Lotus and I’m, well, I guess you would call me the in-house fanboy here at Zeros 2 Heroes. I’ve actually been asked to talk about comics online, so feel free to hate me if you must. Over the next few weeks I’ll be posting about some interesting happenings from the comic industry and talk about some of the pitches coming through the Comic Creation Nation.

There are tons of good pitches to check out. Here are a couple that come to mind…

For a complete pitch, I think everyone should go and check out Mind Crimes. Genrewriter is actively answering comments and has provided a very complete pitch. With some visuals and a detailed world description, this looks to be heading in the right direction.

The next idea I want to draw some attention to is Abigail’s War from Yen. In true Joss Whedon fashion, Abigail’s War has a developed backstory and some strong character descriptions.

Well that’s it for now,

Later